If paper beats rock in “Paper, Scissors, Rock,” does paper beat the printing press in the development of modernity and what it means to be enlightened?

. . . in the Enlightenment the magical agency of the press to transform society became a near-universal belief. Censorship was the negative recognition of this absolute credence, and the eighteenth-century relaxation of control over the printed word (in the Habsburg domains and in Russia) was a short-lived experiment. But what was the state of those who did not enjoy the benefit of the printed word? They lived in an unimaginable darkness, waiting and longing for the coming of the light. And what of a government that deliberately turned its back upon the printing press? It could only be considered as the epitome of barbarism.

That was precisely the position of the Ottoman Empire and the infidel East. The West believed that the Ottomans “prohibited” the printing press because of their obscurantist faith – Islam. The Turks’ refusal to accept this unique benison from the West was an indication of their deep and fundamental wickedness. . . . I believe that the debate over the printing press was the final formulation of the Western malediction of the Eastern infidel; but it was a condemnation carefully adjusted and attuned to the mores of an Enlightened age. What had begun with the Muslim as the “Abomination of Desolation,” then continued with the “Antichrist”, “the malignant foe,” and all the other epithets, ended with a portrayal of debased ignorance. This is the stereotype that has come through to the present day, and still flourishes in the West, but I believe that the Ottoman “failure” to adopt the printing press was the first point at which this prejudice was systematically articulated. (274-75)

. . . .The failure to adopt Gutenberg’s new art became a touchstone of the essential backwardness of Muslims. . . . To change or even question that norm is to enter a maelstrom. It is easier to pose the question as a counterfactual, a “what if.” What if Mehmed II “the Conqueror,” to cap his victory at Constantinople in 1453, had paid the debts of the floundering Mainz entrepreneur Johann Gutenberg, and shipped his printing press to the Old Palace above the Bosphorus? It is perhaps not such a foolish premise, knowing what we do of both Mehmed’s passions and Gutenberg’s financial circumstances. Nor is it entirely fanciful, because the Islamic world had already pioneered a development much more far reaching than Gutenberg’s trio of innovations – reusable metal type, the casting mold, and the printing press.

It was paper more than print that revolutionized the world. Take another counterfactual: what if Johann Gutenberg had had to print his great Bible on the only material available in 1455: sheep, cow, and goat skins? What would have happened to his great invention if there had been no paper in western Europe? The role of paper in the printing revolution has been strangely passed over. Yet without paper, transmitted from China to the Muslim world, and thence to Europe, the development of publishing in Europe is virtually unimaginable. (Andrew Wheatcroft, Infidels: A History of the Conflict Between Christendom and Islam, 276-77)

History is hardly inevitable, nor does it break down in easy to chew, bite-sized pieces that never produce indigestion. The only way to see good guys and bad guys in the past MAY be through the eyes of faith. Everything else is quicksand, or in the words of Qoheleth, “vanity.”