In observance of the seventy-seventh anniversary of J. Gresham Machen’s death (Jan. 1, 1937), what follows is an excerpt from a Westminster Seminary commencement address (1931) that reflects a measure of sympathy for an otherworldly Roman Catholicism that embodied it in significant cultural expressions, and has the added benefit of exposing the provincialism of evangelical Manhattanophiles.
About one week ago I stood on the one hundred and second story of the great Empire State Building in the very city of New York. From there I looked down upon a scene like nothing else upon this earth. I watched the elevated trains, which from that distance seemed to be like slow caterpillars crawling along the rails; I listened to the ceaseless roar of the city ascending from a vast area to that great height. And I looked down upon that strange city which has been created on Manhattan Island within the last five or ten years — gigantic, bizarre, magnificently ugly. It seemed like some weird, tortured imagination of things in another world. I came down from that building very greatly impressed.
But as I reflected upon what I had seen, there came into my mind the memory of other buildings that I had contemplated in the course of my life. I thought of an English cathedral rising from the infinite greenness of some quiet cathedral close and above the ancient trees. I thought of the west facade of some continental cathedral, produced at a time when Gothic architecture was not what it is today, imitative and cold and dead, but a living expression of the human soul; when every carving in every obscure corner, never perhaps to be seen by human eye, was an act of worship of Almighty God.
As I revived these memories, certain thoughts came into my mind. The modern builders, I thought, can uplift the body; they uplifted my body in express elevators twelve hundred and forty feet in record time. But whereas the modern builders, in an age of unbelief, can uplift thee body, the ancient builders, in an age of faith, could uplift the soul. As one stands before the tower of a medieval cathedral — with one century laying the foundation there below, another century contributing its quota in the middle distance, and another century bringing the vast conception to its climax in a spire greater than the twelve hundred and forty feet of the Empire State Building; one is uplifted not by some rebellious tower of Babel seeking to reach unto heaven by human pride, but rather on the wings of faith, up and up until one seem to stand in the very presence of the infinite God.
I am no medievalist, my friends; and I do not want you to be medievalists. I rejoice with all my heart in the marvelous widening of our knowledge of this mysterious universe that has come in modern times; I rejoice in the wonderful technical achievements of our day. I trust that you, my brethren will never fall into the “Touch not, taste not, handle not” attitude which Paul condemned in his time; I hope you will never fall into that ancient heresy of forgetting that this is God’s world and that neither its good things nor its wonders should be despised by those upon whom, through God’s bounty, they have been bestowed. I trust that you will consecrate to God not an impoverished man, narrowed in interests, narrowed in mind and heart, but a man with all God-given powers developed to the full.
Moreover, I cherish in my soul a vague yet glorious hope — the hope of a time when these material achievements, instead of making man the victim of his own machines, may be used in the expression of some wondrous thought. There may come a time when God will send to the world the fire of genius, which he has taken from it in our time, and when he will send something far greater than genius — a humble heart finding in his worship the highest use of all knowledge and of all power. There may come a time when men will wonder at their former obsession with these material things, when they will see that these modern inventions in the material realm are in themselves as valueless as the ugly little bits of metal type in a printer’s composing room, and that they true value will be found only when they become the means of expressing some glorious poem. (“Consolations in the Midst of Battle,” Selected Shorter Writings, 203-205)