Why Larry Sanders Is Brilliant

John Fea is sad to see David Letterman go. I am too, even though I haven’t watched late night television for a long time. I am equally sad to see a younger generation of Americans (as in my students) with no familiarity with late night talk shows. When I was a kid, getting to stay up late and watch Johnny Carson was a chance to take a peek at the world of adults — not in the x-rated sense but one that conjured a world of references and people and ideas that seemed important and well beyond a child’s imaginative range.

Late night talk shows are incredibly predictable in format but almost every effort to improve or change them has been a flop. Fea quotes from a piece that describes the success of the talk show:

Talk — relatively spontaneous, genuine, unrehearsed conversation — was, of course, the main point of the genre when the “Tonight Show” was pioneered by Steve Allen back in 1954, redefined by Jack Paar when he took the helm in 1957, and turned into a national institution by Johnny Carson in the ’60s and ’70s. Here was a place where show-business celebrities could drop at least some of their public persona and give us a glimpse of what they were “really” like. Sure, that glimpse was always a little stage-managed — the conversational topics screened, the anecdotes carefully baked. But those nightly sessions on the “Tonight Show” guest couch were a relaxed, human-scale refuge in a hype-filled showbiz world.

And this is what makes the Larry Sanders Show brilliant — that is, the HBO series that Garry Shandling made about late night talk shows, one part homage, one part mocumentary. Since the show within the show was going to have Larry Sanders, the fictional host, interviewing and hosting guest stars, Shandling had to decide whether the guests were also going to be fictional like Larry and Hank (the Ed McMahon figure), or whether they were going to be real. Shandling decided to have the guest stars “play” themselves. So when Alec Baldwin comes on, he is playing himself.

And that points to part of the shows genius. Is Baldwin playing himself? Is he being Alec? Or is he presenting Alec Baldwin as something other than himself? For non-baby boomers this might be way too much irony. But for fans of Letterman, who made self-awareness and irony part and parcel of his show — mocking the talk show format, mugging before the camera, bringing stage personnel into the show — Sanders brought even more attention to the unique dynamics of a show that the networks cannot abandon even if younger viewers aren’t watching.

Man Crush

No man should be belittled for having special affection for another man. Whether David and Jonathan’s friendship (in the Bible, not “Friends”) qualifies as a man crush is debatable, and so is whether their relationship might baptize the kind of attraction that a man has for another man, not sexual but bordering on smitten.

I myself have had any number of man crushes on both colleagues and celebrities. In the latter category I would now have to place Gabriel Byrne who stars in the HBO series, “In Treatment,” and is one of the few actors who can sustain interest on screen even when not doing anything, or in the case of his character as a psychotherapist, simply listening to patients. He first enthralled me as Tom Reagan in the Coen Brothers homage to “The Godfather,” “Miller’s Crossing,” a rare gangster hero who prevails not by overcoming his adversaries but by enduring the most beatings.

If I had written this two weeks ago, my nomination for man crush then would have been Garry Shandling, the comedian who created, wrote, and starred in one of the most underappreciated television series, “The Larry Sanders Show.” This was HBO’s first television series and it was both a tribute to Johnny Carson and the format of the late-night talk show and a humorous and poignant expose of the egos and antics that go into producing these shows. For anyone interested in the phenomenon of celebrity, “Larry Sanders” is a must.

My most abiding man crush is for Phil Hendrie, the best (and only) real talent on radio, who takes the political talk show and turns it on its head by functioning as both host and guest (with made up voices). The joke is not merely the callers who think the interview is real, but also the situations and characters that Phil creates — such as Ted Bell, owner of Ted’s of Beverly Hills steakhouse, who thinks he can flip off a van driver sporting a Jesus fish because Christians are supposed to turn the other cheek. It is radio theater at its best, and with three hours a day, available on-line, it is far more impressive how much comedic material one man can produce compared to an entire television series that employs hundreds to produce as much material for one season (13 hours) as Phil does in one week of broadcasts.

All of this is to say that I understand man crushes and see no reason for embarrassment in admitting to them. But sometimes man crushes are embarrassing. The latest case comes with the announcement from the editor of Kerux that the journal of biblical theology, where they put the Vos in Vossian, will no longer be printed but will be published on-line. In his introduction to the last print issue of Kerux, James Dennison goes on about Geerhardus Vos in ways that appear to take a man crush from a special fondness to an odd obsession. He writes:

. . . these pages have wonderfully developed the legacy of Vos in ways which would have both pleased and surprised him. Surprised him in the wealth of original contributions ranging through the history of doctrine – patristic, medieval, Reformation and modern: all these remarkable contributions endorsing, advancing, encouraging historic Christian orthodoxy – catholic, evangelical and Reformed. Pleased him in that new methods of penetrating the inspired Word of God have been applied in these pages. However haltingly or inadequately, nevertheless the advances God in his providence has granted to his church in our time have been plundered )aka robbing the Egyptians) in the interest of unpacking treasures of old and new which are locked in the mind, heart and Word of God.

I am not sure that a journal should be edited according a desire to please and surprise a deceased – even if highly regarded – theologian. I am even less sure that an editor should be so impressed by his own accomplishments in bringing such brilliance into print.

The kicker is the paragraph preceding Dennison’s adulation of Vos and Vos’ adulators. In a surprisingly candid admission of dangerous ideas and articles published in Kerux under his watch, Dennison unwittingly calls into question his own abilities as an editor:

Most of the contributions to this journal over twenty-five years have been insightful. . . . A few, however, deceived us, using the pages of this journal for their own ends and agenda. Their heterodoxy, even edgy ‘heresy’, has subsequently been revealed as, like Demas, they departed from us, even with contempt. It is increasingly clear that many who have sworn by the name of Geerhardus Vos haven’t the faintest notion of what he stood for. These charlatans, who have padded their bibliographies and footnotes with references to his works, have demonstrated over and over again that they are incapble of reading primary documents without skewing those documents to their own bogus schemes. They are users and users are losers. Their character is as insufferably self-centered as any classic egoist: ‘empty vines, they bring forth fruit unto themselves.’ Vos has no real place in their thinking because they constantly seek to re-image him in themselves. But when what they preach and what they write and how they act is placed against the portrait of this unassuming giant, they show themselves to be dishonest, arrogant and vicious. They are the acid which corrodes Reformed Biblical Theology, for the game is all about them and not at all ultimately about Christ.

Good to see that ultimately Kerux is about Christ and the gospel, but readers of this editorial have to be thinking, editor edit thyself. For if users are losers, what are editors who publish losers? Posers? Apparently, veneration of Vos is not a reliable guide to matters biblical theological. Not recognizing this may be the best indication when a man crush has crossed that fine line separating affection from obsession.