Full and unequivocal equality for Petra fans? I don’t think so:
My best friend became a loser right around age 14. I had hopped a Greyhound from Hamilton to the far side of Toronto to spend a weekend with Paul. We sat down to do what boys that age do—probably something destructive—and he popped a new tape into his stereo. “These guys are Christians.” I scoffed. “They’re called Petra. The album is Beyond Belief.” I laughed. What a weakling. It really was beyond belief. He and I used to listen to Duran Duran together. Bon Jovi. Guns N’ Roses. And now we were going to listen to this tripe? Come on. Plus they can’t actually be Christians. Not good Christians, anyway. They play electric guitar! They’ve got long hair, for pity’s sake!
I endured it for the weekend, though I’m sure I griped and complained all the while. Or maybe I played along—I don’t exactly remember. But I do remember that moments before I left for home I scrounged up a blank tape and copied just one song—just one song to take home to my friends so we could laugh together. I ended up with the first song on the second side: “Underground.” Then I went home.
Sure enough, I played it for my friends and we laughed. After all, we were Reformed and baptized and catechized—we didn’t need Christian rock. Christian rock was for Arminians or Pentecostals or Baptists—weaklings all of them. It certainly wasn’t for the likes of us.
I played it for some more friends. I played it for my family. I kept playing it until I realized I was playing it for me. This song was saying something to me. At some point I had started to hear the lyrics—to really hear them. I realized “Underground” was a song about professing Christ instead of denying him, of being bold instead of intimidated. That was strong, not weak. Was I willing to stand for Christ? Or was I a weakling? Uh oh.
“Mom! Can you take me to the Christian bookstore?”
I bought the album and listened to the rest of the songs. It started with “Armed and Dangerous,” a song about relying upon God, then went to “I Am on the Rock,” a proclamation of confidence in God. “Creed” was simply The Apostle’s Creed set to music, “Beyond Belief” was about current and future hope, while “Love” was an adaptation of 1 Corinthians 13. And that was just side 1. I listened to it until I wore it out. I listened to it on my ghetto blaster, in my parent’s minivan, on my awesome walkman—whenever and wherever I could. I listened until I knew every one of John’s words, every one of Louie’s beats, every one of Bob’s solos.
I listened until I became a Christian.* Late one night I caught a glimpse of the ugly depravity of my heart side by side with the heart-stopping holiness of God. (A night, as it happens, when I was also reading a Frank Peretti book, but that’s a story for another day.) I was undone. I was redone. I was reborn. All of that parenting and Bible-reading and sermonizing and catechizing had done its work in me, but somehow it was just waiting for one more thing—for news of the warm and personal relationship with God that Petra kept singing about.
I could respond with my own encounter with Iron Butterfly and In A Gadda Da Vida (BABY!!), but as I (mmmmeeeeeeEEEEEE) say, some thing are best left in our private selves, divorced from our public identities.
Old Life 