Aesthetic Relativism

If you don’t have standards for beauty, how do you have them for truth and goodness? Father Dwight doesn’t explain:

If you are a convert to the Catholic faith from Lutheranism or Anglicanism or any other form of tasteful religion, then you will have to deal with Catholic kitsch. What are we to do with the trashy trinkets, the horrid holy cards, the sappy statues? How do you put up with the banal hymns, bad preaching and sentimental religiosity? . . .

It’s true Catholics have some awful music and bad hymns. But we also have Palestrina, Elgar, Mozart and Byrd.

Yes, we do have plastic glow in the dark rosaries and those night lights you plug in where the plastic statue of the Blessed Mother lights up. But we also have the Pieta and the Sistine Chapel and Michelangelo and Caravaggio.

It’s true we have brutalist churches that look like a cross between a flying saucer and a parking garage, but we also have Chartres, St. Mark’s in Venice, Sainte-Chapelle, Notre Dame, St. Peter’s and Mont Saint-Michel.

This is the authenticity of the Catholic faith. It is universal. It has room for the peasant and the aristocrat, hoi polloi and high falutin’, the learned and the ignorant, the tasteful and the tacky, the sinner and the saint.

With that kind of tolerance, why would you ever reject Protestantism?

But Father Dwight insists he has standards:

“If I were choosing a church I liked I’d still be an Anglican. I didn’t become a Catholic because I liked the Catholic Church.” I retorted. “I became a Catholic because it’s the true Church.”

How would he know? Because the bishop with all the high end art told him?

You can’t argue this stuff up.

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