The Gospel Allies would have us believe (in their It’s Always Sunny in Philadelphia way) that Andy Crouch is channeling Reformed teaching on culture:
Crouch had read “social constructionist” figures like Peter Berger, but “it wasn’t until I started reading Reformed writers that I found really careful theological work that correlated well with cultural sociology. I’ve certainly been influenced by other streams to some extent—Anabaptists like Yoder and Hauerwas and Ellul (who was technically Reformed but temperamentally more Anabaptist, I’d say), as well as Catholic social teaching—but the truth is that among Protestants especially, the Reformed community has nurtured the most careful thinking about the breadth of human cultural activity.”
In 2008, Crouch released Culture Making: Recovering Our Creative Calling, which argues that Christians can best affect culture not by withdrawing from it, but by making more of it.
His Reformed bent was immediately apparent.
“Andy Crouch makes the case for cultural discipleship by giving us an exciting overview of the drama of creation, fallenness, and renewal,” Fuller Theological Seminary president emeritus Richard Mouw wrote. Tim Keller wrote that it was “one of the few books taking the discussion about Christianity and culture to a new level,” while LifeWay Christian Resources publisher and TGC blogger Trevin Wax called it “a landmark work that will create a new culture of its own within evangelicalism.”
Here’s a different reading:
To be sure, the advantage of this approach, and the astute recommendation that evangelical Protestants need to develop postures of cultivation and creation in cultural endeavors is its recognition that human beings cannot escape culture (the fundamentalist temptation) and that simply imitating culture (the Jesus Rock temptation) is inferior to creative expressions of worth. In fact, Crouch even ups the ante for his fellow evangelicals when he turns from culture-making as basic to human identity to culture-making as a biblical duty.
In the second section of the book, Crouch decides to take a relatively quick tour of the history of salvation recounted in the Old and New Testaments. Not surprisingly, in a book devoted to not simply the legitimacy but also the necessity of culture, Crouch sees cultural life writ large throughout the pages of holy writ. This strategy can become tedious. Creation in Genesis 1 is culture. Adam and Eve were given the task of creating culture, specifically, agriculture. As a nation, Israel was political culture, while its cultural insights in the religious sphere replaced henotheism with monotheism. Jesus was a cultural figure in his training and work as a carpenter. He died on a cross, a cultural instrument of torture. The apostles took the message of Christianity to cities, arenas of great cultural significance. Pentecost overturned Jewish culture and gave Christianity’s blessing to cultural diversity. Finally, the new heavens and new earth in the last book of the Bible reassert the import of the city and cultural life. According to Crouch, culture is “the furniture of heaven.”  He adds, “human beings, in God’s original intention and in their redemptive destination, cannot be separated from the cultural goods they create and cultivate at their best.” 
As inspiring as such a cultural reading of the Bible may be for evangelicals like Crouch, it loses some of its loftiness when in the next paragraph the author adds a few of his favorite things, such as fish tacos, the iPod, and Moby Dick. The impression Crouch creates is that without a biblical justification, evangelical Protestants would be powerless to recognize the value of cultural activities. It is as if being human is not good enough for cultural life; so culture needs the lift of redemption and the approval of God to lose either its worldly reputation or become the object of devotion. Indeed, confusion about the relationship between creation and salvation haunts Crouch’s argument. The muddle might have been avoided had Crouch interacted carefully with Christian teaching (whether Protestant or Roman Catholic but especially Augustinian) on the relationship between nature and grace. As it stands, Crouch interacts with Niebuhr’s Christ and Culture not to discover analytic categories for reflecting on the relationship between cult and culture but mainly to find Niebuhr’s implicit endorsement of cultural transformation deficient for the aim of evangelical cultural engagement.
The reason for Niebuhr’s deficiency becomes clear in the third and final section of the book where Crouch provides a number of worthwhile insights into the work of culture engagement. To avoid the culture-war propensity, Crouch steers clear of the word transformation, preferring “culture making” to “changing the culture.” Here he addresses topics such as unintended consequences, economies of scale, power, wealth, and consumption. These cautions are intended to direct evangelicals away from imposition or conquest. Instead, he recommends that their cultural posture be one of introducing the fundamental realities of human beings as culture makers wherever they go. He offers the example of the Charlotte Douglas International Airport. There travelers may find a high modern oasis of an atrium with rocking chairs across from a food court. As opposed to the dehumanization of air travel, this space introduces smiles and relaxed conversations “where good news whispers just a bit more audibly.”  Crouch believes that this human touch is at the heart of culture and is needed in exurbs, cities, and suburbs. It is also at the heart of being Christian because “our calling is to join [God] in what he is already doing—to make visible what, in exodus and resurrection, he has already done.” 
Examples such as Crouch’s reflections on Charlotte’s airport and omelets leave the impression that the new evangelical cultural engagement is no thicker than baby boomers’ parents’ ideal of a cultural remnant preserving the faith once delivered. To be sure, rocking chairs in airports can buoy the spirits of weary travelers and a fluffy omelet may hit the spot on a leisurely Saturday morning (if, of course, the eater’s cardiologist approves). But unclear is whether attention to small rays of uplift that shine through either the most unpleasant form of human transportation or food preparation is sufficient for confronting the cultural decay that affects the West. Crouch’s book does signal a hopeful development, which is that the evangelical pursuit of culture warfare was and is a dead end. Had evangelicals been reading the likes of Kirk or Dawson, though, they would have known that the ballot box and the White House were poor vehicles, even if sometimes necessary conditions, for a healthy culture. Less encouraging is the motive behind Crouch’s apparent fatigue with the culture war. He does not simply find the warrior mindset defective but seems to be mainly comfortable with the cultural goods available to middle-class, urban-friendly, suburban Americans. Evangelicals like Crouch have found a home in the modern world; they are no longer a-passing through.
The whole not-so-sunny review of Crouch’s Culture Making is here.